Packaging dielines explained: cut, crease, bleed, glue and the questions to ask your printer

Dielines are where packaging design meets manufacturing, and where most reprints are born. The design was beautiful; the artwork was on the wrong dieline. This guide explains what a dieline is, how to read the lines, what the codes mean, what differs between cartons, labels and pouches, and what to ask the printer for before any artwork is drawn.

By Reviewed 11 min read
In short
  • A dieline is the flat template of a pack: the cut lines, fold lines and zones that the converter's tooling will produce. Artwork is built on it, and the converter's own dieline is the only one that counts. A template downloaded from the internet is a sketch; a dieline from the die-maker is a specification.
  • Every dieline carries the same vocabulary. Cut (solid line), crease or fold (dashed), perforation or tear (dotted), bleed (artwork extended 3 mm past the cut), safe area (mandatory text kept 3 to 5 mm inside the cut and away from creases), glue flaps and no-print zones, and for cartons the grain direction. Keep the dieline on its own non-printing layer in the artwork file.
  • Carton styles are codified: ECMA codes for folding cartons (A20.20.03 is the straight tuck end everyone knows), FEFCO codes for corrugated cases (0201 is the regular slotted carton). Labels are specified by size, shape, corner radius, unwind direction and gap; pouches by open size, gusset, seal widths and zip position. Ask for all of it in writing before the first layout.

What a dieline is

A dieline (also die line, cutter guide, keyline or template) is a vector drawing of a pack laid flat, showing where the material will be cut, creased, perforated, glued and folded. It is named for the cutting die, the steel-rule tool that stamps the shape out of board, or the rotary die that cuts labels and pouches. The die is made from the dieline; the artwork is placed on the dieline; the printed sheet is cut by the die. If the three do not match, the pack is wrong.

The dieline belongs to the converter: the carton maker, the label printer, the pouch manufacturer. They produce it for the exact machine, board and process the job will run on. A generic template for a tuck-end box is a starting point for a concept render and nothing more. Every converter's version differs by a millimetre here and a flap angle there, and a millimetre is a misregistered panel.

Reading the lines

Standard dieline conventions (colours vary by converter; the legend on the dieline is the authority)
Line or zoneUsual drawingMeaning for artwork
CutSolid line, often red or blackThe edge of the finished pack. Artwork must bleed past it.
Crease, score or foldDashed line, often blue or greenWhere the board folds. Avoid fine type and critical graphics across a crease; expect slight cracking on heavy solids.
Perforation or tear stripDotted or dash-dotPartial cut for opening. Do not place barcodes or mandatory text across it.
BleedOuter boundary, usually 3 mm beyond cutExtend all background colour and imagery to this line.
Safe areaInner boundary, 3 to 5 mm inside cutKeep all text, logos and barcodes inside it.
Glue flap / glue zoneHatched or labelled areaNo ink, or specific ink only; the adhesive will not hold on a varnished solid.
No-print or varnish-free zoneHatched, labelledLeft clear for coding (batch and date), for a window, or for a seal.
Grain directionArrow or noteBoard grain usually runs parallel to the main creases for clean folds; the dieline is orientated accordingly.
Registration and print controlMarks outside the cutLeave them; the printer uses them.

Folding cartons and corrugated: the codes

Folding carton styles are catalogued in the ECMA Code (the European Carton Makers Association), a numbering system every carton maker in Australia reads. Corrugated case styles use the FEFCO Code. Specifying a style by code removes a round of drawings.

Common styles and their codes
StyleCodeTypical use
Straight tuck end cartonECMA A20.20.03Cosmetics, supplements, small food
Reverse tuck end cartonECMA A20.20.01Pharmacy and personal care; tucks on opposite faces
Crash lock (auto) bottom cartonECMA A55.20Heavier products, fast packing lines
Tuck top snap lock bottomECMA A50.20Mid-weight retail cartons
SleeveECMA C10Trays, multipacks, premium wraps
Regular slotted carton (shipper)FEFCO 0201The standard shipping case
Die-cut tray with lid, shelf-readyFEFCO 0427 and variantsRetail-ready display trays for Coles and Woolworths
Half slotted cartonFEFCO 0200Shipper with lid or tray

For shelf-ready packaging the retailers add their own requirements (the five easies at Coles and Woolworths) to the FEFCO style: easy to identify, open, shelve, shop and dispose of, which in dieline terms means a tear-off lid, a front that drops to shelf height, a printable front panel and no loose parts.

What to ask the carton maker

  • The dieline as a vector file (PDF or AI) at 100 percent with a legend, for the exact board grade and caliper.
  • Board specification: grade, GSM or caliper, coated one side or two, FSC status.
  • Bleed, safe area and glue zone allowances for their die.
  • Grain direction and which panel is the front as the carton is erected.
  • Any no-print zones for inkjet coding, windows or seals.
  • Whether the inside prints, and if so the inside dieline orientation.
  • Nesting: how many cartons per sheet, because an odd size that nests badly costs more per unit.

Labels

A label dieline is simpler and the questions are different. The label printer needs: finished size, shape and corner radius; the gap between labels on the roll; the unwind direction (which edge comes off the roll first, specified as a number from 1 to 8, so the applicator feeds it the right way); roll core and outer diameter; number of labels per roll; and whether it is applied by hand or machine. Wrap-around labels on round containers need an overlap allowance and a check that the join is on the back. Clear labels need a white underprint layer in the artwork. Labels on tapered or squeezable containers need the label shape adjusted to the surface, which the printer will calculate from the container drawing.

Artwork rules are the same: 2 to 3 mm bleed, 2 to 3 mm safe area, mandatory text inside it, barcode away from the edge and the overlap.

Pouches and flexible packaging

A pouch dieline shows the pouch open and flat, with the seal areas, the gusset, the zip position, the tear notch, the hang hole and the registration mark for the form-fill-seal machine. The things that catch designers:

  • Seal widths (typically 5 to 10 mm) are no-print or light-print zones, and the heat seal can distort ink.
  • The bottom gusset folds inside; artwork across it has to be read as it folds, and the front panel area is smaller than the flat size suggests.
  • The zip sits a fixed distance below the top seal and steals front-panel height.
  • Printing is on the reverse of the outer film for laminates, so the artwork is supplied mirrored or the printer mirrors it; agree which.
  • A white underprint layer behind the artwork on clear or metallised film is a separate separation.
  • Eye marks for the packing line sit in a fixed position on the back and must be clear of design.

The dieline checklist before artwork starts

  1. Confirm the converter and the process. A dieline from one carton maker is not valid at another.
  2. Request the dieline at 100 percent as a vector file with a legend and the allowances stated.
  3. Check the dimensions against the product and the retailer's case and shelf requirements.
  4. Identify the front panel as the pack is displayed, the glue zones and the no-print zones.
  5. Confirm bleed, safe area and the minimum type size the process holds on that substrate.
  6. Lock the dieline on its own layer and build the artwork on it, never on a copy.
  7. Make a white mock-up from the dieline before design development; a flat drawing hides a wrong-way tuck or a seam on the front.
  8. Send the finished artwork back to the converter with the dieline visible for their pre-press check.

The mistakes that cause reprints

  • Artwork built on a downloaded template, then placed on the converter's dieline at the end. Everything shifts.
  • Dieline scaled to fit a layout, or the artwork scaled to fit the dieline.
  • No bleed, or bleed on some edges only.
  • Mandatory text or a barcode across a crease, a perforation or a seal.
  • The front panel designed on the wrong panel because nobody made the mock-up.
  • Glue flaps printed with a solid or varnished, so the carton will not stick.
  • Dieline flattened into the artwork and printed.
  • Unwind direction not specified, so the labels arrive and the applicator feeds them sideways.

Questions people ask

The flat vector template of a pack showing where the material is cut, creased, perforated, glued and folded. The converter produces it for the exact tooling and material; artwork is built on it; the cutting die is made from it.

From the printer or converter who will make the pack. Online templates are fine for a concept render but not for artwork; every converter's dieline differs.

Usually 3 mm beyond the cut line on cartons and 2 to 3 mm on labels and pouches. Keep text and barcodes 3 to 5 mm inside the cut, away from creases, perforations and seals.

Standard catalogues of carton styles. ECMA codes cover folding cartons (A20.20.03 is a straight tuck end); FEFCO codes cover corrugated cases (0201 is a regular slotted carton). Quoting the code tells the converter the style without a drawing.

Which edge of the label leaves the roll first, numbered 1 to 8, so the labels feed correctly through the applicator. Specify it with the label order or the applicator will reject the roll.

No. It stays on a separate, locked, non-printing layer (or a spot colour the printer strips) so it can be checked but never appears on the finished pack.

Sources

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Morice Kastoun
Written by

, Founder & Creative Director

Morice Kastoun is the founder and creative director of Morice&Co., an independent Melbourne branding and packaging studio. His packaging has shipped through the compliance processes of Coles, Woolworths, Chemist Warehouse, Priceline, Petbarn, Big W, Myer and Sephora US.

Artwork built on the converter's dieline, every timeFMCG Packaging Design